|  | Review:   |  | Bethany Curve are from Santa Cruz, California. That makes me 
                  think of frentically paced guitars played by spikey haired tan 
                  boys. And indeed, Bethany Curve are a guitar based band. And 
                  indeed, in the photos on their 
                  website at least one member is a spikey haired boy. But they ain't no Green Day 
                  clone. Bethany Curve instead remind me more of the music that came 
                  out of the British Isles in the late 80's and early 90's. It's 
                  slow music with meandering washes of guitar sound. And there 
                  is a certain coldness to it. Not the coldness of music from 
                  a snow-covered clime, but the coldness of people who live most 
                  of their lives inside air-conditioned buildings. The coldness 
                  of the South (and, presumably, Southern California) in the summer, 
                  when it's 105º F outside, but 75º F inside. You go 
                  inside, covered in sweat, and need to put on a long sleeved 
                  shirt for a few minutes while your body adjusts to the temperature 
                  change.... That's what this music makes me think of. Of course, i am a southerner who considers our summers oppressive. 
                  It's like winter for people who live in the frozen states: you 
                  have to psyche yourself up to leave the building, because it's 
                  going to be freaking miserable out there! Naturally, i spend 
                  the bulk of my summers inside, only to go out for brief spurts 
                  of intense sweating. It's a reflective time for me: sitting 
                  inside with the blinds half open, the powerful sun beating down 
                  on me, the air-conditioner straining, and no one around but 
                  my cats, who lie panting. Bethany Curve's music reminds me of all of that: the pleasant 
                  isolation of the air-conditioned world, while terror (in the 
                  form of heat, or whatever bothers you) lies just outside the 
                  door. It's music that describes a comfortable space, but hints 
                  that there is something worse just waiting.... It's really nice music to just sit and listen to -- just wandering 
                  guitar textures and vague vocals. The vocals are interesting: 
                  vaguely gothy (in that they remind me of early Modern English), 
                  vaguely sleepy (slow paced), and vaguely blurry (buried under 
                  the guitar textures). This is their fourth album, and it is the second Bethany Curve 
                  album that i have obtained. Their previous album, Gold 
                  was much like this album. Oh sure, there are slight differences, 
                  but for the most part Bethany Curve have their style nailed 
                  down, and they continue to explore that territory. There are a few standout tracks on this disc. Summer Left 
                  Me  features acoustic guitar over sparse and slower than 
                  usual vocals in a way that reminds me of Rainbird by 
                  Love And Rockets. It's a nice effect, and is a pleasant break 
                  from the otherwise constant electric guitar drones that make 
                  up the rest of their work. As to the electric guitar parts, 
                  i especially like I'm Tired Gone, which pairs the washed 
                  out guitar textures with nice insistent drumming, and Ann 
                  Illusion , which sounds almost as if there are horns droning 
                  in the background. Those are both pleasant songs, and this is a good album in 
                  the distinctive Bethany Curve style. However, well, if you are 
                  just getting into Bethany Curve i would recommend Gold 
                  first. You see, their best song, hands down, is called Pool 
                  And The Shine and is on that disc. It's the height of their 
                  mastery of intertwining guitar tones, and is qutie stunning. 
                  Nothing on You Brought Us Here equals the majesty 
                  of that song. So start there. However, if you have listened to Bethany Curve and find their 
                  music enjoyable, then you will consider this album a wonderful 
                  addition to their catalog. |  |