|  | Review:  |  | Boards of Canada just don't work like other 
                  people. Instead of recording and sending out a demo when they 
                  were fishing for a recording contract, they recorded and pressed 
                  their own vinyl record. This is that record, and it is now avaialble 
                  to their fans for the first time. (well, there were grainy digitizations 
                  available, i suppose, and a few copies of that 1995 demo record 
                  must've slipped out somewhere.) And, really, it's pretty good stuff. It shows where they were 
                  coming from, and is surprisingly good for a demo. It is a little 
                  "sparser" than their later work, which is to be expected i guess. 
                  But, for the most part, the "Boards of Canada sound" was more 
                  or less fully formed at inception. Most of what they were to 
                  do on their later work was hinted at here. Several of the songs are noteworthy, but let me first discuss 
                  the a-typical songs. Basefree is a more drum-driven track 
                  then Boards of Canada usually do. In a way, it reminds of the 
                  drummy dub of Pub and is very nice. The only other tune that 
                  really sticks out to me is Smokes Quantity, which is 
                  a long, wandering, ambient piece. More ambient and mellow that 
                  Boards of Canada usually do in fact. It's decent enough, but 
                  i think i would have preferred some of their fine drum loops 
                  behind the keys. However, those are the only 2 songs on this release that seem 
                  out of place in the general BoC catalog. The other tracks fit 
                  right in alongside Geogaddi 
                  and Music Has the Right to Children, and do it 
                  quite nicely. The whole album is kicked off with Sixtynider, which 
                  is electronica in a minor key: mournful and slow and beautiful. 
                  Directine features standard BoC keyboard drone with drums, 
                  only here the drums sound almost organic and really make the 
                  song work. Likewise, Seeya Later take the keys and layers 
                  them with some nice deep bass riffage for wonderful headbopping. 
                  Iced Cody again follows the formula, only here the keys 
                  themselves are distorted. They waver and whine in an odd way 
                  that, i swear, sounds like the instrument was wet and in the 
                  process of shorting out, or like it was played underwater. Very 
                  interesting, and perhaps life-threatening! In general, this is a Boards of Canada album, and if you like 
                  their music this is a fine purchase. If you haven't liked them 
                  yet, then this isn't going to win you over. |  |