| I confess - I'm part of the Indie Rock Mafia. I like to stand 
                  at concerts with my arms crosses and bop my head. A band with 
                  too many instrument pedals makes me happy. And I get a little 
                  chill whenever I hear those self-effacing, relationships-suck-because-I 
                  screwed-up-everything lyrics. I like the Replacements; I love 
                  The Pogues. I bounce to Built to Spill and I survived a concert 
                  by The Make Up.  My friends have suggested that the music a person is drawn 
                  to reflects what is missing in their own soul as well as what 
                  talks to their own lives. [Specifically, 
                  this is PostLibyan's theory. Just making sure credit is given 
                  where credit is due! -- Brendan.]  In that case I love 
                  the sloppiness of a good jangly depressed indie rock band because: 
                
 
                  
I'm a control freak. 
                  
My relationships are inevitably disasterous. 
                
  Furthermore, I am a concert 
                  junkie - I live to see music performed. To me, the recorded 
                  medium is secondary - I listen to most albums and think of how 
                  they translate to the stage. I realize this isn't fair to many 
                  bands, but hey, I'm allowed my opinion.  With all that said, when the new Death Cab for Cutie album 
                  was recommended to me, I bought it sight unseen. I wouldn't 
                  have recognized one of their songs if it had crawled up to me 
                  in a bar and started to gnaw on my ankles.  So I went home and popped it in (PING!) and sat back.  And I listened.  My first thought was, "hey these guys sound a lot like 
                  Modest Mouse." Then I thought, "hey these guys belong on Kindercore." And finally I thought, "That song sounds a lot like Crooked 
                  Fingers!" So, in other words, yep, they're an indie rock band. They've 
                  got the slightly melancholy key changes and the delay heavy 
                  guitars. The singer writes about meeting up with former loves 
                  and not being invited places. And I can see myself standing 
                  in front of a stage bouncing my head as I mouth the lyrics. In other words, I didn't hear anything that made me go "wow! 
                  I've never heard that before!" (See: Godspeed You Black 
                  Emperor!) but it's an enjoyable little album -- nothing that 
                  makes me go "what the hell were these freaks smoking!?" 
                  And on the best songs (such as Title Track or Company 
                  Calls), they measure up to best indie rock material out 
                  there. |