| Her Space Holiday are, as far as i can tell, 
                  a fully unique band. They combine hushed confessional Emo style 
                  vocals with laptop glitch and funky beats. It's "electro-Emo" 
                  or something like that. Whatever you call it, their music is catchy and enterataining. 
                  Or maybe i should say "his music", i'm not sure. On 
                  the album the music is credited to a Mr. Marc Bianchi, while 
                  live the band consists of Bianchi and his significant other, 
                  an Asian girl called Keely. I am very unclear if she is part 
                  of the touring band only, or if she contributes to the recorded 
                  catalog as well. Looking at the liner notes, i see that she 
                  does contribute some backing vocals, and yet she is also listed 
                  in the "Thank you" section of the liner notes and 
                  not under the "all songs by" section.  So who knows? I suppose that it isn't really important. The 
                  music is catchy and potent enough to speak for itself. The music is built on the basis of Bianchi's laptop prgramming. 
                  Strings and big beats feature prominently, but these are mere 
                  backing to the subdued vocals, guitarwork, and energetic keyboard 
                  work. There are so many songs here that are noteworthy -- in fact 
                  the entire album is good. Well, there is one exception (of course). 
                  In the middle of the album is the track Spectator Sport. 
                  It is an interesting track, but also the song least likely to 
                  make it onto a mix tape for listening in the car. This core 
                  of this song is some sort of recorded interview, where someone 
                  is asking Bianchi about his songwriting. Specifically, this 
                  interviewer is pointing out that all of Her Space Holiday's 
                  songs are about Keely, and how this must be awkward for her, 
                  seeing as she is in the band. This long sample is played over 
                  vocal sweeps, and rather than hearing Bianchi's replies, some 
                  mellow guitarwork is interspersed between the interview bits. 
                  It's very clever, but not particularly catchy. And writing catchy melodies is Bianchi's real strength. Three 
                  songs in particular stand out from the crowd. The best of these is Hassle Free Harmony, which follows 
                  immediately after Spectator Sport. Binachi sings and 
                  plays guitar arpeggios over a luscious string melody and some 
                  deep drum riffs. This is not a particularly electronic sounding 
                  song. That is, the drum beats are something that any half-competent 
                  drummer could play on his floor toms, and the string melody 
                  seems simple compared to some that i have heard. However, it 
                  moves along nicely and creates a real happy, light vibe. Another great track is Lydia, which sounds far more 
                  electronic. Keely and Bianchi sing in harmony, and there is 
                  a sparse keyboard melody. But backing it up are glitchy beats 
                  and wierd computer noises. It sounds like what might happen 
                  if Autechre decided to work with Death Cab For Cutie. And yeah, 
                  it's that good. Eventually Bianchi chimes in with a single chord 
                  played slowly on his guitar, and the strings swell up, the beats 
                  get louder, and the song swells to an energetic toe-tapping 
                  conclusion. Very nicely done. Another fun electronic sounding tune is The Ringing In 
                  My Ears, which is apparently the "hit" off of 
                  this album. I say that because it is the only song off of this 
                  disc that i hear on Album 88. (Then again, that might be my 
                  own fault for not listening to the radio often enough.) It is 
                  very similar in make-up to Lydia, although the beat 
                  in this one is stronger throughout, and instead of simply swelling 
                  up to a glorious climax, this song descends into a quiet keyboard 
                  bridge, before a horn joins the mix for a groovey jazzy finish. Those are my three favorites on the album, but as i sit here 
                  and listen to it again as i type this, i want to write about 
                  all 9 songs. I want to mention them all in exquisite detail, 
                  because they are all that good. Personally, i think that this disc is brilliant. It combines 
                  Indie Pop and Electronica in a stronger fashion than anyone 
                  else has to date. And yes, i am including Radiohead 
                  in my list of "others" here. I think that Her Space 
                  Holiday have created a mellow and highly listenable album that 
                  entwines glitch and Indie into one incredible mix. There is 
                  none of the harshness and "rave sensibilities" that 
                  infested  Kid A here. Instead, you 
                  have a smooth and interesting disc that rewards repeated listening. And i suppose that you could still shake your booty to the 
                  funky beats, if that was something that you were inclined to 
                  do.  |