|  | Review:  |  | In my continuing exploration of the musical 
                  genre known as IDM, i tracked down a copy of this disc, which 
                  is supposed to be one of the masterpieces of the genre. Or maybe 
                  not. Someone recommended it to me, so i spent some time finding 
                  it. Ultramarin is a strange mix of hard, danceable 
                  rave beats, wierd glitch type noises, deep head bobbing bass 
                  riffs, and ambient drones. For a while i just found it bland. 
                  I would put it on, don my headphones, and sit down to write. 
                  And it worked fine as background music: a little too minimal 
                  at times to drown out the din of cubical conversation, but mostly 
                  pleasant. Then one day i was stressed out. I don't remember why: too 
                  much coffee and arguing with some yutz in a suit over what a 
                  browser can and cannot do is probably the reason. Anyway, i 
                  was stressed out, so i sit down and put on Ultramarin. 
                  It's minimal ambient tones relaxed me, and i found myself calming 
                  down. Which was a great effect, and wonderfully helpful. Since then, i have gone back to listen to this many times, 
                  and i now find that i enjoy it. Jetone is like a minimalistic 
                  Mouse on Mars: the songs have 
                  that same glitchy beats with glowing keyboards kind of thing 
                  going on, only the music is sparser. Sometimes it's too sparse, 
                  so that if i am in the mood for something energetic, this album 
                  actively bores me. But still, there are some nice moments. Specifically, things 
                  pick up on Phoedra IV. Up until this song, Ultramarin 
                  was almost ambient, but Phoedra IV has a deep, thudding 
                  rave rhythm. It creates a steady monotony, like a mantra, allowing 
                  you to focus on one thing while keys and glitchy noises circle 
                  the beat. The next track Thousand Oaks is a variation 
                  on that same theme, only here the backbone is a spiraling bass 
                  riff. Again, strange IDM noises circle the bass riff, and Jetone 
                  adds a funky little drum beat. It's a really good and catchy 
                  song. Otherwise, the album varies between ambient noise and good 
                  glitch. It's well done laptop music. So -- if you like that 
                  sort of stuff check this out. If, however, the thought of a 
                  laptop as an instrument annoys you, then this probably isn't 
                  for you. |  |