| In a video that i own of Billy Bragg on tour in Russia, there 
                  is an interview with Russian pop icon Boris Grebenshikov. The 
                  interviewer asks Boris what he thinks of Billy covering a Buzzcocks 
                  tune. Boris lazily drags off his cigarette and then says, in 
                  surprisingly clear English, "I think that everyone remembers 
                  best the music they were listening to when they were 17. For 
                  me, it was The Beatles. For Billy, the Buzzcocks." And for me it was any number of synth pop new wave bands. I 
                  have a reminiscent soft spot for power chords and lyrics full 
                  of youthful energy and a bored malaise at the same time. Bands 
                  such as The Cure, The Psychedelic Furs, Modern English, The 
                  Smiths, New Order, etc. will forever hold a special place in 
                  my heart. Apparently, My Favorite were 17 in 1987 just like me, because 
                  their album revels in those same moods. It is a joyous celebration 
                  of youthfulness and also a cry of anger at the frustrating boredom 
                  of life in suburbia. Plus, their musical references are all 
                  familiar touchpoints of the 80's: Peter Hook bass riffs on 17 
                  Berlin, Tommy Tutone guitar riffs on Go Kid Go, Depeche 
                  Mode synths on Let's Stay Alive, Human League dub and 
                  keyboard drone on Modulate. Heck, Between Cafes 
                  sounds like a lost track from Louder Than Bombs 
                  by The Smiths.... So aside from successfully invoking the spirit of the 80's, 
                  My Favorite also make music quite in that same style. But that 
                  is not to say that they sound fully derivative. On the contrary, 
                  they sound fresh , as if they were contemporaies of all of those 
                  bands. As if they took dub and reggae and punk and mod and threw 
                  it all in a blender with some desperation and some isolation 
                  and some frustration at the soulnessness of modern culture and 
                  wound up in the same musical place.  My perception that this is so might have something to do with 
                  the "not too slick but still pretty clean" production 
                  values of the album. It's not overproduced, nor is it underproduced. 
                  But it seems -- amateurish? I can't quite pin it down, but there 
                  is something about the recording value that seems ... innocent, 
                  for lack of a better word. At any rate, i must admit that it is entirely possible that 
                  i am full of crap here. I often tease Malimus about his love 
                  of The Drive-by Truckers. 
                  I listen to their music and all i hear is recycled 70's power 
                  chord riffs. However, the lyrics speak to Malimus and his upbringing 
                  in the rural south, so the music means something to him. My Favorite sing songs about the stupidity of growing up in 
                  America's suburbs -- simultaneously both bored out of your mind 
                  from lack of anything to do and frightened of The City and what 
                  parents have said about that nightmarish place. The safety and 
                  isolation of the suburbs may be comforting to adults, but it 
                  bored me. Fear and boredom -- these two emotions mix in memories 
                  of my teenage years, when i listened to music that sounds like 
                  My Favorite. And i get the same feeling listening to this. This 
                  music speaks to me, and to my past. So maybe it is fully derivative. I cannot tell. I would 
                  ask Malimus to judge it as well, but he dislikes synthpop strongly 
                  and there is no reason to subject him to this music. All that said, My Favorite can really write a fun little pop 
                  song. I think that songs like Between Cafes and Working 
                  Class Jacket are real pop gems. There is a catchy melody, 
                  a little hook to the guitar riff, and endearing vocals from 
                  Andrea Vaughn. Despite their obvious New Wave references, the 
                  real strength of the band is its ability to write quality tunes. So there you go. I really really like this album. It is exciting 
                  music that reminds me of being 17. If you too grew up with New 
                  Wave, or if you are really into the retro-80's scene, then this 
                  will probably appeal to you. |