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Overall Comments:
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Before we rate the albums for you, let's be honest: The Rock*A*Teens
are a live band. Some of their albums are great, but if you
want to get the look and feel of this band, you've got to see
them in concert. For instance, as an Atlanta resident, I was
familiar with The Rock*A*Teens long before I ever saw them live.
And the first couple of time I saw them, I thought they were
pretty interesting and neat, but nothing fully registered with
me.
Then, I saw this one show. They played through the material,
which was loud, and reverby, and people were sweating on me,
and I was kind of tired. But then they played this one song
with so much energy and fury and angst….and suddenly, the light
went on over my head, and I got The Rock*A*Teens. I fell totally
in love with their music, and their concerts, and I haven't
looked back since.
I tell you this story because, in general, most people I know
who are fans of The Rock*A*Teens have had epiphanies like that.
Therefore, I exhort you again: go see them in concert. Now let's
talk about the albums.
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Recording:
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Rock-A-Teens |
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Label:
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Daemon |
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Date:
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1996 |
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Review:
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This first release gained The Rock*A*Teens much praise as a
rockabilly band. Critics loved the echo-y, bassless sound and
the "let's make a record" ethic. Unfortunately, those strengths
are also this album's limitations. This album is very spirited,
and it sounds like everyone had a blast recording it. However,
there is a lack of precision in the songwriting, and the musical
arrangements aren't nearly as haunting as later efforts. Of
their albums, this one is either for completists, or people
who prefer a lighter, more rockabilly sound.
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Standout Tracks:
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HingHangHung, O Pharoah, Arm in
Arm in the Golden Twilight We Loitered On |
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Rating:
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Recording:
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Cry |
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Label:
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Daemon |
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Date:
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1997 |
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Review:
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This album expands on the musical styles of Rock*A*Teens
while showing a new narrative focus in the songs themselves. It's
a fairly clean recording with minimal distortion (for the RATs,
that is) and without all the lo-fi touches which both graced and
hindered the first album. It's accessible and still fun, and although
some of the songs sound similar to songs on the first album, lyrically
this is much more evocative. On the whole, there are no mis-steps
and there's not a bad song in the bunch. |
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Standout Tracks:
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Black Ice, Losers Weepers, Crybaby |
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Rating:
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Recording:
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Baby, A Little Rain Must Fall |
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Label:
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Merge |
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Date:
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1998 |
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Review:
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This album was recorded during a major period of
flux, when they didn't have a full-time drummer, and it shows.
Probably their most reverb heavy, where you hear non-existent
instruments and vocals in the background due to all the distortion.
Overall, this album seems very melancholy, which is emphasized
by the overdubbed, slow drums. It's got some great songs, but
the pacing feels a little subdued. |
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Standout Tracks:
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Don't Destroy This Night, I Coulda Just Died,
Ether Sunday |
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Rating:
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Recording:
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Golden Time |
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Label:
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Merge |
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Date:
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1999 |
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Review:
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By this time, the RATs had a steady, well-accomplished
lineup, and it shows. The bass is way up front and it soars, while
the drumming keeps things moving along. This album is the most
cleanly recorded - yeah, there's still the ubiquitous echo, but
it seems in check. Furthermore, the songs are ordered in such
a way that no-one style seems to dominate. Finally, Black Metal
Stars is the most beautiful thing the RATs as a band have
ever recorded - from the swooping bassline, to the ride cymbal,
to the guitars and vocals. This is the album for people who aren't
already big fans to buy first. |
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Standout Tracks:
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Black Metal Stars, Little Caesar On A
Bicycle, Tuesdays are Just as Bad |
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Rating:
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Recording:
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Sweet Bird Of Youth |
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Label:
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Merge |
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Date:
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2000 |
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Review:
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The Rock*A*Teens seem to release one album every
13 months; however, it was closer to 18 months from Golden
Time to Sweet Bird Of Youth. Although, the
basic sound is in place, much around the periphery has changed:
the bass is deeper, the vocals are louder, and there are keyboards
in the mix. On paper, the expansion and growth looks like a good
thing, and on a number of songs, it is. However, on the whole,
this album has a disjointed feel: some tracks are mixed louder
than others, and oftentimes it's hard to pick out instruments
amidst the wall of echo. Furthermore, at 17 songs, it's clear
that some of the material could have been jettisoned without hurting
the overall quality. Overall, it's a good step forward in the
architecture, but the effect is mixed. |
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Standout Tracks:
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(If I Wanted to be Famous) I Woulda Shot Someone,
Betwixt or Between, It's All in Your Head |
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Rating:
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