|  | Review:   |  | Despite what many critics may tell you, a music review is inherently 
                  a reflection of the author's state of mind. This is especially 
                  true when you're talking about the concert experience: no matter 
                  how objective you might feel, everything that's going on in 
                  your head will influence how you perceive a show. The best you 
                  can do is acknowledge what's going on and then move on from 
                  there. With that in mind, let's just state up front that I was not 
                  in a good place for this concert. First off, I was slightly 
                  ill, having woken up that morning with no voice and a sore throat. 
                  Second, I'd had a heavy meal, which left me tired and a little 
                  out of it. Finally, I was mentally sorting through some things, 
                  questioning my judgment in human interactions and feeling somewhat 
                  vulnerable. In other words, I had no business being out in public. 
                  But other Minions really wanted to see this show and as I had 
                  no plans, I figured why not? The only thing I knew about the opening band, Dixie Witch, 
                  was that they hailed from Denton, TX -- home of my current favs, 
                  Centro-Matic, as well as the 
                  always interesting Slobberbone. So I suppose I was thinking 
                  this band might be similar in sound to those others. But they 
                  weren't. Instead of playing a twang with an emphasis on the 
                  songwriting, Dixie Witch harkened back to the 70s with a sound 
                  that recalls Black Sabbath or one of those classic hard rock 
                  bands (back before hard rock became hair metal). It's a sound 
                  without illusion -- there were no effects to cover up the pounding 
                  drums and screaming guitar. There was no choirboy prettiness 
                  to the singing. There was just the music, and the masses of 
                  people in The Star Bar getting totally into it, thereby proving 
                  that every man of a certain age doe indeed have an inner headbanger. 
                  Me? I wasn't as totally into it, but I have to confess that 
                  it was certainly fun, and the musicians themselves seemed to 
                  be having the most fun overall. Fun, I suppose, is also the best way to describe Catfight! 
                  As I've stated before, I don't think Catfight! is the most original 
                  of bands; you can clearly hear the classic punk and garage rock 
                  influences behind their music. Several people I know can't stand 
                  the band; they think the lyrics are a little too obvious, the 
                  sexuality is too played up, and the musicianship isn't the best. 
                  Whether or not any of that is true, it's also clear that Catfight! 
                  is one of those bands that always seems to have a good time 
                  when they play. And the audience always seems to get into their 
                  Shangri Las via The Ramones take on romance and cars. Still, after the energy and spectacle of Dixie Witch, I was 
                  tired. If Catfight! had been overwhelming, I could have been 
                  convinced to stay. But I had seen them in the 
                  recent past and the set list was largely the same (as it 
                  has been for years, pretty much). So despite the obvious good 
                  time occurring on and around the stage, I decided to give into 
                  my overall malaise, and about halfway through their quick set, 
                  I headed home for the evening. |  |