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Artists: |
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JASON ISBELL w/ Mic Harrison and Believe in Toledo |
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Date: |
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Thursday.14.July.2004 |
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Venue: |
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The EARL |
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Location: |
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East Atlanta, GA |
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Reviewed by: |
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Sparklehonkey and Malimus |
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Performance Rating:
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Sound Quality:
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Overall Rating:
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Review: |
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Sparklehonkey:
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This was a show that I have been looking forward
to since the date was announced. Jason Isbell's addition to
The Drive-by Truckers lineup was a breath of fresh air, and
I have truly enjoyed his contribution to an already great rock
band. Thus, I was very excited to see him perform solo at a
venue which is slowly becoming my new home.
Malimus and I arrived at The EARL right in time for the first
band, Believe in Toledo. I was not terribly impressed with this
three piece band. They played rather generic alternative rock,
but to their credit, did so with enthusiasm. And musically,
they were pretty sound. The singer's voice and the sound of
the band very much reminded me of The Gin Blossoms, while Malimus
remarked that, if Matchbox 20 was an indie rock band, this would
be it. Should be a big hit with casual music listeners, as they
fit nicely into the generic alternative rock sound. Their set
was rough though, and at one point, they had to stop because
the singer couldn't remember a song. Final thought: enthusiastic,
but awkward and bland. |
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Malimus: |
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My basic impression of these guys is, "Well, the college
frat band has to play somewhere during the summer." Not that
they weren't trying hard and all. I was specifically distracted
by the bass player. He sort of reminded me of Jack Black's character
from School of Rock, only before the learning-what's-really-important
stint with the kids. Maybe not so bad, but just sort of like that.
All in all, I assume that The EARL just needed to fill a Thursday
night bill. |
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Sparklehonkey: |
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The second act was Mic Harrison, who performed with three others
in his back up band. They were very good musically, but they didn't
leave much of an impression in my mind. It was good bar music,
but beyond that, it was pretty unremarkable. They kind of vaguely
reminded us of The Pogues. Nonetheless, I enjoyed their set. |
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Malimus: |
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I actually enjoyed this set. They were somewhat Pogues-ish,
and that's never a bad thing unless you're a liver. Mostly they
came across as a group of guys who have been on the road, playing
bars and dives like The EARL for 20 years but still manage to
love the life. A professional bar band, with a hint of pub-rock.
Lifers. Not necessarily the greatest shakes but you gotta respect
the lifers. |
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Sparklehonkey: |
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Finally, Jason Isbell took the stage with his guitar, along
with his wife (and new DBT member) Shonna Tucker on bass, and
Gary Nichols on acoustic guitar. I was rather taken aback, as
Jason is looking considerably different from the first time
I saw the band perform and is now sporting shorter hair and
a much thinner physique. Sitting in chairs the entire show,
they conveyed a sense of telling stories to the crowd, and I
particularly liked the relaxed atmosphere. This is folky alt.country
at its best. Their set was very solid, and seemed to
improve as it went on (and it went on for a good while - 16
songs!). Jason played both of his songs off Decoration
Day, several songs that he announced would be on his
solo album, (slated to be released next year), one of Patterson
Hood's songs (The Assassin from Hood's recently released
solo album Killers and Stars), and 4 new songs
off the new DBT album (The Dirty South, being
released in late August). Mixed in nicely were a couple of blues
covers and a request for TVA. TVA has been a favorite
of mine since I saw him play it a couple of years ago with The
Drive-by Truckers at The Variety Playhouse, so I was very pleased
when someone shouted it out, and he then played it. One of the
songs he mentioned to be on the upcoming solo album was titled
Whisper, which he explained was kind of a compliment
to the 'Til Tuesday song, Voices Carry. Told from the
point of the "man who knows he's done something wrong", it raised
goose bumps on my arms.
That's one of the things that his songs have always done for
me, though, and was the main reason I wanted to see him perform
an entire set of his own music. His lyrics and music have always
struck a chord with me. His songs tell the story of growing
up in the South in a way that several southerners have told
me is close to a religious experience. And despite not growing
up here, I can perfectly understand what they mean. Stories
from the southern half of my family seem to come to life through
music: the depression and how the TVA brought work and power
to most of the South, growing up poor but proud, stories of
everyday people who give the South its character and grit.
Sound-wise, everything seemed to go smoothly. The three performers
meshed well together and took their cues from each other. I
think that Shonna is still getting used to the music, but she
did a good job regardless. I look forward to seeing how she
will interact with the full DBT lineup. Amazing guitar playing
from both Isbell and Nichols, who rocked out and seemed to have
a lot of fun doing it. |
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Malimus: |
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This was the best show I've seen in five years. It was simply
flawless. Isbell has almost dethroned Patterson Hood as the best
storyteller in The Drive-by Truckers. And if you'd told me there
was even a chance of that two years ago, I'd have laughed in your
face. As one of those aforementioned southerners who take great
storytelling as a religious art form, I tend not to write too
much about it, because you kinda have to be there to know. But
suffice to say, for a little over and hour Jason Isbell turned
The EARL into the kind of place southerners hear about from the
old-timers, from back when Hank
was playing dives across Alabama and Tennessee, or Robert Johnson
was digging up some devils in Mississippi. Stories are ghosts
in search of a house to haunt, and Jason raised the dead a little
bit this night. |
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Related Links:
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