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Review:
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A Thursday night is a good time to make the
trip down to the Sunset Strip, and at least it isn't the weekend,
right? The Strip is usually laden with all types, including
pseudo-hookers, hipsters, old rock-gods has-beens and never-weres,
and the typical L.A. scene. Tonight, however, would be a completely
different story as far as the entertainment went. The Roxy is
obviously one of the most famous spots in L.A. and usually holds
large crowds of testosterone filled shirtless and sweat-covered
men. But not tonight. Not for the industrial show.
The Roxy is a nice sized club now that the seating has been
removed from the back of the space. It fits a good-sized crowd
easily. The opening band, Lunachild, was already performing
to the fifty or so people that were there when i got in. The
sparseness of the crowd was a welcome change on The Strip. Most
of the people in attendance at this point did not seem pleased
with their music, however. I, on the other hand, thought there
was something really exciting about the band. They rock out
for one, and they used a lot of different techniques to attain
their style. The only reference point that I came to while watching
the band was early Sonic Youth with some turntablism ala Fog
to balance out the intensity. Their songs were well-crafted,
each featuring long sonic outbursts gradually declining to tasteful
down-tempo beats, and then rising again to a climax. The sound
at the Roxy was borderline during this band's set due to the
sonic volume and texture they presented. Unfortunately, I only
caught a couple songs; but I did pick up their free CD and hope
to see them again soon in town.
The second band of the night was called Stolen Babies and there
were actually music industry-types hanging around to watch them.
The most impressing thing about the band was their opening film,
which featured the scene from Ghostbusters 2 when
the baby is stolen off the building's ledge. Otherwise, their
music reminded me mostly of all those bad soft metal songs that
Fishbone did back in the early 1990's, albiet in this case supercharged
with crunching riffs and non-sensical song writing. Of course,
Stolen Babies are a little harder than Black Flowers.
The band, as individuals, were really talented and sounded great;
but the female singer's macho antics and real lack of a rock
star stage personality (not that she didn't try) along with
the lack of true direction in the music was really a let down.
Vagenius was the next band to take the stage and no one really
knew what to think after the first two bands. They had a good-size
young local following and I realized why almost instantly when
the singer, made up in complete Eighties garb with neon colors
and huge white slanted sunglasses, took the stage. She also
had a mini-keyboard around her shoulder and had attitude like
the early Madonna we all remember and love. The rest of the
band consisted of a drummer, guitar, and more synth. The music
was extremely different than the previous bands' drawing from
the success of such bands as I am the World Trade Center and
other such throw-back bands. If you have ever seen I am the
WTC play live though, you have to agree they are pretty boring
on stage but the music has always made up for it. Vagenius,
however, was the complete package, and it showed in sound and
presentation. The line at their merchandise booth afterwards
was the biggest of the night and even I coughed up the $5 to
get a CD. I certainly look forward to seeing them play again
soon.
The Kidney Theives opening music began building the tension
as smoke billowed out from behind the curtains. The opening
drum beats and syncopated guitar set the mood for their lighter-more
upbeat brand of rock infused with an industrial backbone. This
was clearly what most the hometown crowd had been waiting for
the whole night, although several of the youngsters in the audience
had since left due to the late set-time. They presented many
songs from the Zerospace record as well as Trickster,
while showing the growth of the band with new unreleased songs.
I thought the sound was fine but the performance seemed a bit
flat after a while. The blame can be placed on the set list
order and I thought it was moving along well until back to back
down-tempo songs took the life out of the crowd and band. Besides
losing momentum half way through the set, I thought this performance
was a decent one and having seen them play before, can still
recommend them to anyone interested in their music.
It was one wild night that really can't be summed up with one
despcription. Maybe Stolen Babies and Kidney Theives could play
together and Vagenius and Lunachild on another bill (doubt that).
The lack of a cohesive sound throughout the night, however,
was the downfall of this show on a whole. I do look forward
to seeing most of these bands again soon and hope to see some
of these newer bands gain well-deserved local followings. |
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