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Recording:
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The Red Thread |
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Artist:
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Arab Strap |
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Label:
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Matador |
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Release Date:
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27.February.2001 |
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Reviewed by:
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PostLibyan |
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Rating:
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Review:
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Brendan:
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PostLibyan, i notice that The Red Thread
by Arab Strap has been in your toReview stack for almost
a year. What seems to be the problem? |
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PostLibyan:
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Well, I have really enjoyed Arab Strap for quite some time
now. I thought the album before this one, Elephant
Shoe, was quite brilliant. The Red Thread,
however, is not as dynamic, not as exciting to me, and i am
not sure why. So i have been listening to this album on and
off for a year now, and i just can't figure it out. It bothers
me, and so i haven't written about it. Sorry boss.
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Brendan:
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That's okay. But maybe we can work this through
now. One of the things that I know you liked about Elephant
Shoe was the guitarwork of Malcolm Middleton. Is that
still present on The Red Thread? |
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PostLibyan:
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Yes. On The Red Thread his guitarwork seems lighter
and even more delicate than usual. On Amor Veneris and
The Devil-tips the guitar seems so fragile that i am
afraid it might break at any moment! On the other hand, Infrared
and Screaming In The Trees contain some great guitar
riffing. So yes, the guitars are still there, and they still
sound good.
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Brendan:
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What about the rest of the music?
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PostLibyan:
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It still sounds good. There are sampled beats, strings, and
interesting little keyboardy bits. In fact, Turbulence
contains some really good beats and interesting sounds looping
around in the background. And Haunt Me starts off with
this really cool sample of strong strings that sounds like it
comes from some old movie. Really, a nice effect. So yeah, i
would say that the music is still interesting.
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Brendan:
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Okay, well, what about the vocals? Are all of the songs still
full of Aidan Moffet's slurred stories of alcoholism and sexuality?
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PostLibyan:
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Sure 'nuff. This album pretty much re-hashes the same themes
that Moffett has visited on the past three albums. No new ground
is broken, and that is kind of a bummer, i guess.
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Brendan:
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Is the wordplay still as good?
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PostLibyan:
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Well, Moffett always has a line or two that just sticks with
you. There are only two lines on this album that stick out to
me. First, in The Long Sea, as the guitar swells up,
he mutters "23 years of foreplay leads up to this" and the song
descends into some intense drumming. It's a great moment, and
the words are uttered with startlingly clarity. Then, on Screaming
In The Trees he says "This bar ain't open late enough".
A funny line in that it seems to sum up half of his work.
But in answer to the overall question, i would say that the
wordplay on this album is not quite as good as it was on previous
albums. Just barely though. This is a pretty subjective thing,
so i have a hard time saying for sure.
However, i can definitely say that his delivery is off.
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Brendan:
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Hows that?
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PostLibyan:
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Well, normally the vocals in Arab Strap are half-muttered,
as if Moffett is so drunk he can barely stand, and they are
buried in the music. On The Red Thread he sounds
like he is so drunk that all he wants to do is go to sleep.
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Brendan:
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Yeah, i've been there...
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PostLibyan:
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In fact, that's what i don't like about this album: it's too
slow.
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Brendan:
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Too slow?
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PostLibyan:
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Yeah, that's it. I mean, it's not like Arab Strap were a thrash
band before, but there was a certain nervous tension in their
rhythms. A certain energy to their sound that broke through
every once in a while, like on New Birds or Autumnal,
but it doesn't carry through here. The songs meander around
almost ... pointlessly. Yeah, that's it! Thanks Brendan.
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Brendan:
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Ummm, don't mention it.
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PostLibyan:
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I have been listening to this album on and off for almost a
year, continually noting that something is "not right" with
it, but unable to put my finger on it until just now, talking
with you.
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Brendan:
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Well, that's what i like to hear: dedication on the part of
a Minion. A review a year in the works....
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PostLibyan:
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Actually, Mr. EvilSponge sir, it's not me being dedicated per
se.
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Brendan:
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Oh, then what is it?
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PostLibyan:
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It's just that everyone else i talk to tells me that this is
Arab Strap's best album. People all over the internet are raving
about it, and it bothered me that i didn't like it as much.
I mean, i really like Arab Strap -- i think that they are a
fine and talented band. So why didn't i like the album as much
as everybody else!
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Brendan:
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Wait, by your logic all of this means that the rest of their
fans enjoy them slowing down a bit.
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PostLibyan:
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Sure. Remember (as i explained in my review of Change
by The Dismemberment Plan) in the world of music slowness means
"maturity". So i guess that the rest of Arab Strap'sfans respect
their new "mature" sound more. I dunno, but it doesn't do as
much for me. In fact, Arab Strap have been slowing down slightly
with each album. It seems that this time they fell below the
general pace that i enjoy.
Anyway, that's how i sum up this album, after all this time:
it's slower than their previous work, and i don't like it as
much. The songwriting is still as good as it ever was, but that
speed issue....
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Related Links:
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Elephant Shoe,
Arab Strap's previous album.
Arab Strap live
for The Red Thread at The 40 Watt Club in Athens on 7.April.2001
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