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              |  | Event:  |  | Corndogorama 10 |  | 
             
              |  | Date:  |  | Friday.25.June.2004 and Saturday.26.June.2004 |  | 
             
              |  | Venue:  |  | The EARL |  | 
             
              |  | Location:  |  | East Atlanta, GA |  | 
             
              |  | Reviewed by:  |  | Brillo, Postlibyan, Sparkelhonkey, and Tracers |  | 
             
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              |  | Performance Rating: 
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              |  | Sound Quality: 
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              |  | Overall Rating: 
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              |  | Brendan:  |  | A few weekends ago i sent my Minions to Corndog-o-rama, 
                  a sort of music festival in a club in East Atlanta, the indie 
                  rock mecca of our fair city. At long last they have gotten their 
                  thoughts together. Here is the group verdict of what was the 
                  10th Corndog-o-rama. |  | 
             
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              |  | Sparklehonkey:  |  | Corndogorama night one (Friday) was amusing. The EARLl was packed. 
                I enjoyed several bands, however. Tracers, PostLibyan and I saw 
                The Orphins (sic), Black Love, Emory Reel, The Brew, and shit, 
                I knew I would forget bands that I liked... |  | 
             
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              |  | Tracers:  |  | I really liked The Orphins, who are getting better every time 
                i see them in concert.
 |  | 
             
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              |  | PostLibyan:  |  | Indeed. A very competent band. I would describe them as "a 
                young band that has listened to their early Wire". And that's 
                a good thing. Their solid post-punk is a welcome break from all 
                of the whiney indie rock around these days. |  | 
             
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              |  | Tracers:  |  | Next was Hot Young Priest. A sort of local super-group that 
                keeps getting better with time. |  | 
             
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              |  | PostLibyan:  |  | I thought that the rhythms were great, and the singers voice 
                sounds more and more like the girl from Bettie 
                Seerviert. Very nice. |  | 
             
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              |  | Tracers:  |  | Black Love 
                were very different from anything else at Corndog-o-rama. They 
                were a two-piece playing various electronic instruments with minimal 
                vocals. Very different, but i liked them. They only did three 
                songs, two of which were ambient, the other only slightly less 
                so. I think the middle one was on one of their releases. |  | 
             
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              |  | PostLibyan:  |  | I enjoyed the heck out of their show. It's simply wonderful 
                to see somebody doing that stuff live. Unfortunately not many 
                others in the crowd seemd to be getting into it. I understand 
                that it wasn't the most energetic set that evening, but it certainly 
                was one of the most unique. This despite one member's emailed 
                promise that one of the tunes they would do was an "80's 
                dance number". I didn't hear that -- did they actually do 
                it? |  | 
             
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              |  | Tracers:  |  | I don't think so. The middle tune sort of rocked, but only in 
                comparison to the other two tunes. Nevertheless i liked them alot. |  | 
             
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              |  | Sparklehonkey:  |  | While you two were taking a break, i saw The Brew, a hip-hop/metal 
                act. They amused me. They were so out of place at The EARL that 
                you just had to laugh. |  | 
             
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              |  | PostLibyan:  |  | I dunno, that's not really my thing. Anyway, the final surprise 
                for Friday night were a touring band, Nashville-based Emery Reel. 
                They are a competent instrumental post-rock band. A little Mogwai 
                (very little), a little GYBE, a 
                little Tortoise, and a little 
                Slint all thrown in a blender. 
                They weren't the most original band i have ever seen, but they 
                did do it well, and it's always more fun in concert.... The end 
                bit with all of the band clanging on the vibraphone was nice. 
                Artsy, but nice. |  | 
             
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              |  | Tracers:  |  | I loved the vibraphone and their foot pedal/organ thingy. What 
                is it with post-rockers and esoteric instrumentation? Either way 
                -- I want a vibraphone. |  | 
             
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              |  | Sparklehonkey:  |  | 
                   
                    | In addition to the bands, 
                        there was general mayhem from drunk indie rockers. There 
                        was even a girl who was dressed as a corndog. Every time 
                        we saw her, she had a drink in hand. We finally accosted 
                        her outside and asked her if she was hot, and she declared 
                        that she was roasting. Tomorrow, we decided, would be 
                        worse, and that the next day she would be a bitter, hungover, 
                        hot corndog.  |  L-R: Sparklehonkey, The Corndog Girl, and the vocalist of Teen Wheat.
 |  Anyway, we left around 1, I think... got home at a decent hour 
                  to get up at 10:30 and do it all again. On day 2 we were back at The EARL around noon to see many bands. 
                  Other minions wandered through (Brillo, Zythos), but by 9 PM 
                  we had all cleared out, exhausted. |  | 
             
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              |  | Tracers:  |  | I liked National Dust, the first band we saw on Saturday. They 
                were much poppier than 3D5SPD ever were, and that works for them. 
                [Brendan's note: National Dust is, in fact, 
                made up of former members of 3D5SPD, 
                with the drummer from Teen Wheat/Envie 
                thrown in for good measure.] The singer's voice reminded 
                me of someone, but i don't know who. |  | 
             
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              |  | PostLibyan:  |  | I thought that the first two songs were really good -- high 
                quality indie pop. However, after that, the set kind of varied in quality, with some 
                of the tunes seeming catchy, and then during some of them i found 
                myself really longing for coffee.... That is probably a sign of 
                them being such a young band, and of it being noon and me, well, 
                needing coffee. Fortunately, we left after that set to, in fact, 
                get coffee. Thank goodness for coffee shops.
 |  | 
             
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              |  | Sparklehonkey:  |  | We got back in time to see ... some wierd band with an older 
                hippie guy singing country-esque tunes. He got the best lyric 
                of the day with his line, "It's been a sucky, sucky, day." |  | 
             
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              |  | PostLibyan:  |  | That hippie's band was called Dang Dang Dang. They had a female 
                backup singer -- she just stood there, danced a bit, and sang 
                "oohs" and "aahs" to hamonize with his voice. 
                I find that really wierd -- it's like something out of a Pink 
                Floyd concert video.... |  | 
             
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              |  | Tracers:  |  | I had forgotten about them. Also fun and good. Very roots rock, 
                I think. |  | 
             
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              |  | Sparklehonkey:  |  | 
                   
                    | Up next was Blind Michael Bradley 
                      was like Myssouri Lite, just more depressing. |  |  |  | 
             
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              |  | Brillo:  |  | A bit disappointing. Michael Bradley's voice is still exceptional, 
                but he works better as a band (I miss the earlier incarnations 
                of Myssouri). |  | 
             
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              |  | Tracers:  |  | The best three band set of the day was up next: Sharks and Minnows, 
                The Silent Kids, and Luigi. |  | 
             
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              |  | Sparklehonkey:  |  | I really enjoyed Sharks and Minnows. |  | 
             
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              |  | Tracers:  |  | 
                   
                    | Sharks and Minnows had some minor technical 
                      difficulties, but they played around it which I liked. They 
                      seemed to hit their rhythm more towards the end of their 
                      set. The same was true of The Silent Kids. It was nice to 
                      hear them play some of the stuff off Tomorrow Waits. 
                      That material rocked, and reminded me of why I liked the 
                      album |  |  |  | 
             
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              |  | PostLibyan:  |  | 
                   
                    | I'm not familiar with their album, but i 
                      thought they put on a fun show. It took two or three songs for Blake (soundguy) to figure out 
                      what to do with the keyboards, but when he did it really 
                      came together.
 |  Silent Kid as rock star. |  |  | 
             
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              |  | Tracers:  |  | 
                   
                    | Luigi features Michelle DuBois from Ultrababyfat 
                      (not Shanali or Britta 
                      Phillips, the other one.) They were nice -- i want to 
                      hear their album. |  |  |  | 
             
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              |  | PostLibyan:  |  | 
                   
                    | I enjoyed them as well. Good solid indie 
                      pop. I would be curious to hear how they record. And then, 
                      after Luigi, it was at last time for a pizza break. And 
                      after that many hours of standing around The EARL drinking 
                      PBR, i needed a good slice of pizza.... When we got back 
                      it was time for Teen Wheat. Yay. I was really looking forward 
                      to their set. |  L-R: PostLibyan and Chad from Sharks and Minnows enjoy some suds.
 |  |  | 
             
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              |  | Sparklehonkey:  |  | 
                   
                    | I liked Teen Wheat too. Good screaming hardcore 
                      with gobs of guitars. |  |  |  | 
             
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              |  | Tracers:  |  | Teen Wheat also put on a great show, despite the crowd mayhem 
                and throwing stuff on the stage. |  | 
             
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              |  | PostLibyan:  |  | Eh, mayhem is to be expected at a good hardcore punk show. But it was after Teen Wheat, that things got .... 
                  wierd. The next band we saw was Hubcap City, who are always 
                  a but strange. But this time, well, just look at the photo. 
                    Yeah -- they are all beating on a metal girder 
                  while Bill Taft sings/talks a strange story. Very avante. But 
                  also very much a work in progress as he kept giving directions 
                  to the other band members ("Okay, hit it real quiet here" 
                  or "It's okay to bang away here"). Amusing, but not 
                  their most focused and together set.  |  | 
             
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              |  | Sparklehonkey:  |  | Um, Hubcap City was weird, but I did really enjoy the song where 
                they beat on the metal girder. |  | 
             
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              |  | Tracers:  |  | I liked the set, and actually what i liked about it was seeing 
                a true "works in progress". Very interesting to watch 
                how their songs grow. |  | 
             
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              |  | Brillo:  |  | I thought that Hubcap City wasn't as bizzarely interesting as 
                they have been in the past. |  | 
             
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              |  | PostLibyan:  |  | Next up was one of the most frequently reviewed bands on 
                  EvilSponge -- American Dream. Only, it's a whole new band now. 
                  Basically, American Dream is Dave Railey's name for whatever 
                  musical project he is involved with. Dave is a pretty good songwriter, 
                  an okay guitarist, and an ... interesting singer. He's not always 
                  on key, which can be charming at times or annoying at times. 
                  Previous incarnations of the band invloved lots of instrumentation 
                  -- washes of melody (keys, cello, other vocals, etc.) to blend 
                  with his voice. Combined, the overall effect was powerful when 
                  done right.
 
                   
                    | However, this new band is stripped down to just his voice 
                      and guitar, long-time drummer Eric Young, and the former 
                      bassist of 3D5SPD. I found that without the mass of several 
                      melodic instruments to back him up with a wall of sound, 
                      Railey's voice seems weak. These new songs didn't really 
                      work for me at all. Perhaps this is just the newness of 
                      the current lineup. I suppose that only time will tell... |  |  |  | 
             
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              |  | Sparklehonkey:  |  | I thought that American Dream had gone downhill from the last 
                time I saw them. |  | 
             
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              |  | Brillo:  |  | They didn't rock. |  | 
             
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              |  | Tracers:  |  | I'm not sure what to make of American Dream either. |  | 
             
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              |  | PostLibyan:  |  | Sad, really. Especially seeing as that was more or less the 
                end of the fest for us. Two days of solid bands and beer take 
                a lot out of a Minion.... |  | 
             
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              |  | Tracers:  |  | Indeed, but it wasn't that late either. That was the best thing 
                about this festival: it ran on time. That actually threw me off 
                a bit, because I always calculate in "The EARL time-delay 
                factor" in planning out where I need to be, but it was nice 
                to see things run smoothly and efficiently. |  | 
             
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              |  | PostLibyan:  |  | Indeed, kudos to booking guy Patrick, who apparently runs a 
                tight ship. |  | 
             
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              |  | Tracers: |  | The 'rama itself seemed fairly crowded, but the back venue with 
                the bands never seemed to fill up while I was there. That was 
                strange. And it didn't seem like as many musicians were hanging 
                out and watching the other bands as in previous years. Must have 
                been the free beer. |  | 
             
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              |  | Brendan:  |  | On the whole, the Minions tell me they had a good time. It only 
                cost $10 for the two days, and dozens of bands were seen. A real 
                bargain, as it were. |  | 
             
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              |  | Related Links: 
                   |  | Many of the bands mentioned here have been reviwed 
                  on EvilSponge before. Links have been placed where those bands 
                  are mentioned. |  | 
             
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